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Interactive Discussion: "The Teatro del Barrio of Lavapiés and the Cultural Economy of Post-Crisis Madrid"
Interactive Discussion: "The Teatro del Barrio of Lavapiés and the Cultural Economy of Post-Crisis Madrid"
Europe in Our Lives: Faculty Panel Discussion
Europe in Our Lives: Faculty Panel Discussion
Year of Europe Film Screening: The Class (France)
"The Class" will be presented and discussed with / by Professor Leon Sachs of French.
For more information visit: http://libguides.uky.edu/eurofilm
Year of Europe Film Screening: The Class (France)
"The Class" will be presented and discussed with / by Professor Leon Sachs of French.
For more information visit: http://libguides.uky.edu/eurofilm
Religion, Identity and Competing Visions of Islam in Post-Soviet Central Asia
For several decades, studying Islam in Central Asia meant beginning with questions, analytical categories, and conceptual frameworks rooted in Soviet and Russian studies; this approach, combined with a lack of basic understanding of the historical experience of Central Asian Muslims prior to the Soviet era, led to host of misconceptions surrounding the character of Muslim religious life in the Soviet era, the impact of Soviet policies and realities, and trends in the renegotiation of religious identities in the post-Soviet age. Recent years have brought, in some circles, growing awareness of the need for approaches drawn from Islamic studies and from a historically-grounded understanding of the history of Muslim religiosity in Central Asia. This lecture will discuss some of the misconceptions rooted in the ‘Sovietological’ approach to Islam in the region, and the lessons to be drawn from viewing the region through the lens of Islamic studies, with a particular focus on the ways in which religiosity was manifested in Soviet times, and on the ways in which religiosity shaped or interacted with notions of ‘national’ identity.
Religion, Identity and Competing Visions of Islam in Post-Soviet Central Asia
For several decades, studying Islam in Central Asia meant beginning with questions, analytical categories, and conceptual frameworks rooted in Soviet and Russian studies; this approach, combined with a lack of basic understanding of the historical experience of Central Asian Muslims prior to the Soviet era, led to host of misconceptions surrounding the character of Muslim religious life in the Soviet era, the impact of Soviet policies and realities, and trends in the renegotiation of religious identities in the post-Soviet age. Recent years have brought, in some circles, growing awareness of the need for approaches drawn from Islamic studies and from a historically-grounded understanding of the history of Muslim religiosity in Central Asia. This lecture will discuss some of the misconceptions rooted in the ‘Sovietological’ approach to Islam in the region, and the lessons to be drawn from viewing the region through the lens of Islamic studies, with a particular focus on the ways in which religiosity was manifested in Soviet times, and on the ways in which religiosity shaped or interacted with notions of ‘national’ identity.
“The Arab World and American Democracy”
“Specters of War” examines the influence of post-9/11 American military interventions in the Middle East on the production of both American and Arab literature. Focusing on images of ghosts, spectral illusions, the undead and the undying, the talk attempts to locate zones of inter-textual contact where contemporary American and Arab literary voices move past mutual redactions and engage one another’s respective cultural realities. The goal is to both introduce Arab literary voices into the conversation about America’s presence in the Middle East and to interrogate the haunting presence of the Middle East in contemporary American literature. Works discussed will include Ali Bader’s The Tobacco Keeper, Hassan Blasim’s The Corpse Experiment and Other Stories of Iraq, Mohamedou Ould Slahi’s Guantanamo Diary, Theo Padnos’s “My Captivity,” Phil Klay’s Redployment, and Ross Ritchell’s The Knife.